When pioneering artists use
full body sex dolls to explore body politics, they often fall into the paradox of self-objectification. The
fat sex doll installation art in a New York gallery shows the social discipline of the female body through real-time data projection, but it is criticized for using the same consumerist language. What is more complicated is the gender difference of the creative subject - the objectification accusation rate of male artists using full body sex dolls is 3.2 times that of their female counterparts. This dispute over the right of creation reveals the limitations of the artistic deconstruction strategy.